Bibliography

These responses ranged from government agents contacting EDT 1.0 while we were at the “Info Wars” new media art gathering at Ars Electronica in Linz, Austria, warning us not to carry out one of our gestures ––the “SWARM” gesture –– because they knew where our families were; to the Department of Defense launching the first known “information war weapon” on our server (Thing.net) in New York City; to the FBI accusing us of cyberterrorism when we shut down the World Economic Forum in New York City right after 9/11; to the NSA inviting us to come meet and do a performance for them in 1999.

Marino, Mark C. “Code as Ritualized Poetry: The Tactics of the Transborder Immigrant Tool,” Digital Humanities Quarterly 7, no. 1 (2013). http://www.digitalhumanities.org/dhq/vol/7/1/000157/000157.html.

Zurita, Raúl. Purgatory. Translated by Anna Deeny. Berkeley: University of California Press, 2009.

Bowden, Charles, and Julián Cardona. Exodus/Éxodo. Austin: University of Texas Press, 2008.

Schwartz, Leonard. “Zurita: On Raul Zurita’s Visionary Poetics.” Jacket2. Accessed July 25, 2012. http://jacket2.org/commentary/zurita. 

Spillers, Hortense J. “Mama’s Baby, Papa’s Maybe: An American Grammar Book.” Diacritics 17, no. 2 (Summer 1987): 64-81.

De l’autre côté/From The Other Side. Directed by Chantal Akerman. Paris: ARTE France, 2002.

Dungy, Camille T., ed. Black Nature: Four Centuries of African-American Nature Poetry. Athens: University of Georgia Press, 2009.

Sedgwick, Eve Kosofsky. “Privilege of Unknowing: Diderot’s The Nun.” In Tendencies. Durham: Duke University Press, 1993.

Sultan, Terrie, ed. Chantal Akerman: Moving through Time and Space. Houston and New York: Blaffer Gallery/the Art Museum of the University of Houston, 2008.

Foster, Susan Leigh. Choreographing Empathy: Kinesthesia in Performance. London and New York: Routledge, 2011.

DeChaine, D. Robert. "Introduction: For Rhetorical Border Studies." In Border Rhetorics: Citizenship and Identity on the US-Mexico Frontier. Edited by D. Robert DeChaine, 1 - 18. Tuscaloosa: The University of Alabama Press, 2012.

Spier, Steven, ed. William Forsythe and the Practice of Choreography: It Starts From Any Point. New York: Routledge, 2011.

Carroll, Rory. “US Border Patrol uses desert as ‘weapon’ to kill thousands of migrants, report says.” Guardian. December 7, 2016. Accessed online December 30, 2016. https://www.theguardian.com/us-news/2016/dec/07/report-us-border-patrol-desert-weapon-immigrants-mexico?CMP=share_btn_fb.

Cárdenas, Micha. “The Transborder Immigrant Tool: Science of the Oppressed.” YouTube video. 23:31. Posted by AntiAtlas of borders. May 7, 2014. https://www.youtube.com/watch?v=cL1uqN1tepk.

Duara, Nigel. “Why border crossings are down but deaths are up in brutal Arizona desert.” Los Angeles Times. October 27, 2015. http://www.latimes.com/nation/la-na-ff-immigrant-border-deaths-20151021-story.html.

Rivera-Servera, Ramón H., and Young, Harvey. "Introduction: Border Moves." In Performance in the Borderlands.  Edited by Ramón Rivera-Servera and Harvey Young, 1 - 16. New York: Palgrave Macmillan, 2014.

Raley, Rita. Tactical Media. Minneapolis: University of Minnesota Press, 2009.

Ono, Kent A. “Borders That Travel: Matters of a Figural Border.” In Border Rhetorics: Citizenship and Identity on the US-Mexico Frontier, edited by D. Robert DeChaine. 19 - 32. Tuscaloosa, The University of Alabama Press, 2012.

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Franko, Mark. The Work of Dance: Labor, Movement, and Identity in the 1930s. Middletown: Wesleyan University Press, 2002.

Kracauer, Siegfried. “The Mass Ornament.” In The Mass Ornament: Weimer Essays. Edited and Translated by Thomas Y. Levin, 75 - 88. Cambridge, Mass.: Harvard University Press, 1995.

Electronic Disturbance Theater 2.0/b.a.n.g. lab. Sustenance: A Play for All Trans [ ] Borders. New York: Printed Matter, 2010.

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Urrea, Luis Alberto. The Devil’s Highway: A True Story. New York: Little, Brown, and Company, 2004.